22.11.09

TEMPO-SKIEN EXHIBIT 7.NOV. 2009


TELEMARK KUNSTNERSENTER


participating with installation, exhibit curated by Jan Christensen

11.10.09


participating at HØSTUTSTILLINGEN, OSLO 12. September - 11. October 2009 with installation: UNSTABLE VARIABLE

participating with UNSTABLE VARIABLE & drawing INEVITABLE at TABAKMAGAZIN No 6 at Stutensee, Germany 20.September- 4. October 2009
participating at VALSE WAND exhibition at VOORKAMER in Lier, Belgium October 3. 2009 with installation: NO MEASURE-NO LIMIT covering 3 walls in a small room on ground floor











13.4.09

31.3.09


OPPOSER 2009 38x57x30.5

29.3.09

26.3.09


Galleri ERIK STEEN 19. MARS- 3. MAI 2009

(click to enlarge for reading)

SONDE








RINCON

13.1.09

2.8.08


participating with THE SECOND DAY- UNSTABLE VARIABLE as presented at 2008 BIENNIAL OF NORWEGIAN SCULPTURE, Vigelandmuseet, Oslo

3.1.08


Participating with installation UNSTABLE VARIABLE at 0047-gallery, Oslo January 2008

In the background: FASTER FASTER FASTER 2008, nails in wall, by Yngvild K. Rolland


Kristin Nordhøy:
Cups in circles, 2008Plastic drinking cups
120cm x 120cm

12.1.07

TEGNERFORBUNDET GALLERI, OSLO 2007


Installation No 2 in the series of: UNSTABLE VARIABLES that has been changed several times during my show at the Tegnerforbundet Galleri in Oslo 4. JAN. -6 FEB. 2007

11.1.07


No 5 - 12.01.2007

13.6.05

9.6.05


CHUTE 2004


MIRVO 2004


CITADEL 2004

BLUE TOWER 2004

ECLYP 2004

9.6.04



installation view 2004 Sandvika Kulturhus

31.5.03

91% ECLIPSE 31. MAI 2003, 05.40 AM OSLO, NORWAY


ECLIPSE I, 31.05.03, 05.20AM

ECLIPSE II, 25.05.03, 05.35 AM

91% ECLIPSE 31.05.03, 05.40 AM I was there when Oslo had a total eclipse on the 30. June 1954


There are people who make art and others that comment on their work. The commentator has other interests and different ways of expressing them than the artist. The artist expresses through the visible and tangible work, the commenter through abstract play of words with their subjective understanding of the art work. Analysing a work of art with words and academic logic may start series of literature engaging whole societies of scholars who enjoy each other’s capacity for examining and describing the implications of the work of art in the absence of the work itself and its creator. There rises a whole industry of words and their interpretation, and finally the work of art belongs to them in the sense that they have produced the base and the environment from where the work of art has to be understood. Without this setting of convincing words and explaining logic the work of art itself is nothing. In modern language a comment on a work of art is in itself a product of art.

9.6.01

Installation view, Kunstnerforbundet, Oslo 2001
THE POST TERMINAL BUILDING IN MOLDE, 2001, the blue wall

9.6.00

STABILON II & I 2000, wood and welded iron

8.6.00


RINCON 2000 in Nadderudhallen is another version of RINCON from 1993

9.6.99

from the series of UNSTABLE VARIABLES, 1999-2000

9.6.98


DACC 1998 as presented at the Uffizi-Gallery, Hovik, Norway


DACC 1998, as presented at the Uffizi-gallery, Hovik, Norway 
ARCO 1998, installation at one-man show, Tegnerforbundet Galleri, Oslo

LET GO 1998, installation at one-man show in Tegnerforbundet Galleri, Oslo

31.5.98


ROTACION1998 pencil and acrylic on plywood 122x122

9.6.97

INSTALLATION in the studio 1997
ACQUA Sept. 1997, welded iron temporary installation for my one-man show at Langhaus, Oldenstedt, Uelzen, Germany

26.3.97


DEFENDER


TAVOLE+ ASPECT+ZEIGER


TAVOLE


TAVOLE+ZEIGER

3.8.95


Akershus Kunstnersenter, Strømmen 1995


Tegning som utsmykking, Tegnerforbundet Galleri, Oslo 1994